C86 Show - Indie Pop

Jerome Soligny in conversation with David Eastaugh 

https://www.accartbooks.com/uk/book/david-bowie-music-lover/

David Bowie: Music Lover is a compelling mix of personal insight and expert commentary, jointly written by Bowie’s lifelong friend, collaborator and listening companion, Geoff MacCormack, and Jérôme Soligny, author of the seminal Rainbowman, who knew Bowie for 25 years.

From Classical to Britpop, Electronica to Delta Blues, the book explores Bowie’s eclectic playlist, redolent of the decades he lived through but also of his deep interest in all genres and eras of music. It’s a story that begins with Little Richard on Bowie’s childhood Dansette record player, and ends with Kendrick Lamar, a go-to listen during the recording of Blackstar, released just two days before he died.

An indispensable guide for Bowie fans and all Music Lovers.

Jason Stoll in conversation with David Eastaugh 

https://jaawband.bandcamp.com/

https://godunknownrecords.bandcamp.com/album/zones-3

https://deadneanderthals.bandcamp.com/album/twin-sister

https://sexswing.bandcamp.com/

Jason Stoll is a prolific musician and has featured in many bands including Mugstar, KLÄMP, Sex Swing, Twin Sister and now JAAW.

Plus he also runs the God Unknown Records label who have put out records by a diverse range of artists

Frank Sweeney in conversation with David Eastaugh 

https://www.facebook.com/frank.sweeney1

After forming in June 1983, they first played live as a band in August that year, soon attracting the attention of future Creation Records boss Alan McGee, who gave them several gigs at the 'Living Room', but reputedly decided not to sign The June Brides to his new label as it would have been "too obvious". Two Joe Foster-produced 1984 singles on The Pink Label, "In The Rain" and "Every Conversation" saw The June Brides receive much attention, and these two songs appeared frequently on compilation albums from that era. A year later, the mini-album There Are Eight Million Stories... appeared (produced by John O'Neill of That Petrol Emotion) and went straight to number one in the UK Indie Chart, staying there for a month.

The album remained in the indie chart for 38 weeks. Disillusioned with Pink, the band moved to Marc Riley's In-Tape label for two further singles - "No Place Like Home" and "This Town" and, in 1986, opened for The Smiths on their Irish tour dates. The June Brides were asked to contribute to the NME's C86 compilation but declined for fear of being pigeonholed.

Nicholas Freeman & Ramiel Petros in conversation with David Eastaugh

https://www.youtube.com/watch?v=2bpJfIG03yE

Former Norwich City star Tony Powell vanished from professional soccer in the 1970s. Decades later, he's found managing a West Hollywood motel, the last tenant of a disappearing place and of a life lived in secret.

Bruce Watson in conversation with David Eastaugh 

https://bigcountry.co.uk/

Big Country Redux are led by Bruce Watson, one of the founding members of Big Country, alongside the late, great guitarist, singer and songwriter Stuart Adamson. Now, Big Country Redux announce the ‘Eastworld’ album, which will be released on CD, Vinyl and Digital on 19 September through Absolute.


The album will be preceded by the first single, the title track ‘Eastworld’ on 5 June 2026.
The album consists of 10 brand new recordings of Big Country songs originally written or co-written by Stuart Adamson, which were released as demoes or sketches, but never previously properly developed or lavished
with the attention they deserved. With the publication of the well-regarded book on Adamson’s life ‘Stay Alive’ by Scott Rowley, and a forthcoming documentary, the spotlight is on the band and the legacy once again.


Bruce Watson said of the ‘Eastworld’ release, “Some of these songs will be known to the diehards as they have sneaked out from the archives as unfinished demoes or ‘internet only’ releases, but these are all songs that deserved to be developed further at the time they were written. I am delighted to have now completed them; it is a true privilege to get this newly recorded material out there. All of these songs were sketched out on old reel to
reel tape recorders in dingy basements or in small 8 track studios”.