C86 Show - Indie Pop

Gaylene Goudreau in conversation with David Eastaugh

https://www.youtube.com/watch?v=WOBgX1Vljgo&list=RDWOBgX1Vljgo&start_radio=1

https://www.youtube.com/watch?v=Rev74w8gJD0

https://www.youtube.com/watch?v=LE2ITMvZmdY&t=37s

DA! was formed in 1977 by a 17-year-old singer and bass guitarist, Lorna Donley, along with the guitarist and keyboard player Evelyn Marquis and the drummer Dawn Fisher. This line-up performed only once, and the guitarist Gaylene Goudreau (who had previously played with the all-girl punk band Lois Lain) was added in late 1979.

By early 1980, DA! had replaced Marquis with the guitarist David Thomas (who had previously played in St. Louis punk bands The Singapores and Cool Jerk). By that summer, the band had become a fixture on Chicago's early punk music scene, performing regularly at area clubs like Exit, Oz, O'Banion's, Tuts, Waves and Space Place and opening for visiting groups including the Fall, DNA, Bauhaus and Mission of Burma.

Tim Stegall in conversation with David Eastaugh 

https://ruffianbooks.com/products/anarchy-in-the-studio-punk-music-1970-1979-the-rise-of-punk-rock-foreword-by-laura-jane-grace

https://timnapalmstegall.substack.com/p/the-story-of-punk-told-12-inches

https://thehormonesaustintx.bandcamp.com/

Punk rock did not begin in New York City in 1975, any more than it started in London in 1976. Punk was a spontaneous eruption of fans of a handful of outsider American rock ‘n’ roll bands — The Velvet Underground, MC5, The Stooges, New York Dolls — forming the band they heard in their heads, because they were not hearing it in the outside world. They happened virtually simultaneously, before the groundswell became unignorable: Ramones, Patti Smith, and Richard Hell in NYC; Sex Pistols, The Clash, and The Damned in London; Buzzcocks in Manchester; The Saints in Brisbane, Australia; Radio Birdman in Sydney, Australia. Whether by Legs McNeil at Punk Magazine or Caroline Coon at England’s Melody Maker, the music got branded with the name Creem writer Lester Bangs coined for what’s now known as ‘60s garage: “punk rock.”

Anarchy In The Studio: Punk Music 1970-1979 —The Rise Of Punk Rock is veteran punk journalist/historian/musician Tim Stegall’s comprehensive ‘70s punk history. Based on a selection of over 140 of the best punk albums from the ‘70s, Anarchy In The Studio is the rare punk book that is not regionally focused. The early protopunk era not only includes the aforementioned American influences such as The Stooges and the Dolls, but also English forerunners such as Third World War, Pink Fairies, Mott the Hoople, and The Hollywood Brats. All of the biggest names of the ‘70s are here: Ramones, Sex Pistols, The Clash, Dead Boys, Richard Hell and The Voidoids, The Damned, The Slits, Buzzcocks, Generation X. Equal attention is given to regional heroes such as X, DMZ, The Weirdos, Pure Hell, Death, The Nuns, The Bags, Avengers, and The Dils.

Colin Bass in conversation with David Eastaugh 

https://colinbass.bandcamp.com/

https://www.colinbass.com/

healthandfood.wales

English musician, singer, songwriter and record producer. Since 1979, he has been a member of the British progressive rock band Camel, who, after a ten-year hiatus due to the ill health of bandleader Andrew Latimer, returned to active touring in 2013. From 1984 to 1992, he was also a core figure in the pioneering world music group 3 Mustaphas 3. He has also made two solo albums under his own name and three albums recorded in Indonesia under the name Sabah Habas Mustapha.

The title track of the first, "Denpasar Moon", became a hugely popular song in Indonesia in the mid-1990s and has been covered by over 50 Indonesian, Malaysian, Japanese and Filipino artists. As a record producer he has worked with a diverse range of international artists including: the Klezmatics (USA), SambaSunda (Indonesia), Daniel Kahn & the Painted Bird (USA) Krar Collective (Ethiopia), Etran Finatawa (Niger) and 9Bach (Wales) amongst others. As a guest artist he has appeared on albums by a number of artists including Malian singing star Oumou Sangare, playing on all tracks of her 1993 Ko Sira album.

Root Cartwright in conversation with David Eastaugh 

Their first public performance was at an event called "Dance of Words" organised by students (one of whom was Jeremy Ensor) in Portsmouth and hosted by John Peel in May 1968, which also featured Fairport Convention, Free, Tyrannosaurus Rex, Alexis Korner, Gary Farr, Pete Brown's Poetry Band with John McLaughlin on guitar, and poets Brian Patten and Michael Horovitz.

They were signed by Korner's management team and, with Peel's active support, performed at similar events and gigs in London and elsewhere, sharing bills with Pink Floyd, The Fugs, Family, Free, King Crimson, Yes, Deep Purple, Elton John, Ten Years After and others. The group were the first to be signed to Peel's Dandelion Records; though the label's co-founder Clive Selwood later described them as "the most pretentious act I have ever come across", and Peel's radio producer John Walters described them as "incorporating all kinds of arty-farty nonsense"; and performed at the first Bath Festival of Blues in June 1969.

Martin Bisi in conversation with David Eastaugh 

https://www.martinbisi.com/news.html

https://www.youtube.com/watch?v=T5UpP0xMzMc

https://www.martinbisi.com/

In 1981, he started B.C. Studiowith Bill Laswell and Brian Eno in the Gowanus section of Brooklyn, where he recorded much of the No Wave, avant garde, and hip-hop of the early 1980s including Lydia Lunch, Live Skull, Fred Frith and Afrika Bambaataa. In 1982, he recorded the instruments for the first song Whitney Houston recorded as a lead singer, "Memories" off of Material's One Down LP.

Soon after recording Herbie Hancock's "Rockit", Bisi split from Bill Laswell but continued working from BC Studio till present time, with a specialty in loud, dense, often noisy sound, with a focus on local NYC music such as White Hills (band), Clone, Cinema Cinema, and Weeping Icon.