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Simon Barber - The Chesterfields
Simon Barber in conversation with David Eastaugh https://preciousrecordingsoflondon.bandcamp.com/album/pre-049-the-chesterfields-janice-long-session-060187 https://simonchesterfield.bandcamp.com/album/simon-chesterfield PRE 049: THE CHESTERFIELDS – Janice Long session 06.01.87 Leading lights among the generation of indie pop outfits that thrived in the post-C86 environment, The Chesterfields released three singles on the Subway Organization label before reaching the dizzy heights of No.2 on the independent charts with their debut album ‘Kettle’. Various line-ups reappeared over the years – as, indeed, did another three LPs – but this is the classic early line-up, captured in a four-song blast session for the BBC in early 1987. As well as featuring a handful of the Somerset-based group’s best-loved songs, the session features a guest appearance from soon-to-be-legendary West Country-based PJ Harvey producer John Parish – masquerading as ‘Scott Tracey’ for a spot of percussion and backing vocals! Songsheet: Two Girls And A Treehouse, What's Your Perversion?, Oh Mr Wilson!, Love Mountain
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1:41:49
Amy Rigby - The Shams and Last Roundup
Amy Rigby in conversation with David Eastaugh https://www.amyrigby.com/ https://www.amazon.co.uk/Girl-City-Memoir-Amy-Rigby After playing with several New York bands she began a solo career, recording several albums which had only modest sales despite enthusiastic reviews. She settled into a career of touring while raising a daughter, then formed a duo with Wreckless Eric, whom she also married. As of November 2011 they continue to tour from a base in upstate New York. She is the author of a memoir, Girl to City.
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1:25:47
John McKay - Siouxsie and the Banshees
John McKay in conversation with David Eastaugh https://thejohnmckay.bandcamp.com/album/sixes-and-sevens McKay's influence lives on; many of the most influential guitarists of the past four decades credit him as a major influence - Geordie from Killing Joke, Jim Reid of The Jesus And Mary Chain, U2's The Edge, Thurston Moore, Johnny Marr and even the two guitarists - The Cure's Robert Smith and Magazine's John McGeoch - who followed him in The Banshees.    McKay's burgeoning status as the anti-guitar hero was halted when he and Banshees drummer Kenny Morris - at odds with Siouxsie and bassist Steve Severin - fled the band just after the start of a tour supporting the group's second album, Join Hands. It was a weekly music paper scandal, later the subject of a BBC documentary, and Siouxsie's vitriol working its way into the lyrics of a later Banshees b-side, "Drop Dead / Celebration". Aside from a solitary single on Marc Riley's In Tape label nearly a decade later, no music was heard from McKay again. So it comes as a major surprise to learn of a pile of excellent recordings made in the years just after he left The Banshees, unheard by all but a very few, some of which feature drummer Kenny Morris, plus Mick Allen from Rema Rema, Matthew Seligman of the Soft Boys and longer-term collaborator Graham Dowdall and John's wife Linda . . . the latter three of whom are now sadly deceased.   Sixes And Sevens is an historic lost album. Brazenly genius and bearing fair claim as the lost treasure of the post-punk era, the album collects eleven studio tracks, carefully mastered from original tapes. It's a masterpiece which best speaks for itself.
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1:31:51
Angela Jaeger - I Feel Famous: Punk Diaries 1977-1981
Angela Jaeger in conversation with David Eastaugh https://www.amazon.co.uk/Feel-Famous-Punk-Diaries-1977-1981/dp/1955125570 I Feel Famous: Punk Diaries 1977-1981 is a girl’s coming of age story set to the pulse of punk rock. The book tracks 17-year-old Angela Jaeger’s exciting discovery of punk music and its accompanying lifestyle in 1977. A music enthusiast living in New York’s East Village, Angela’s story unfolds chronologically, charting her late adolescence in tandem with her transition from observer of the nascent punk scene to eager participant. Gradually becoming a nightly fixture of her neighborhood’s vibrant underground rock milieu at CBGB and Max’s Kansas City, by 1978 she had continued to fulfill her punk fantasy abroad. She followed the Clash on a tour across England, finally returning home in 1979 to start her own band. Angela encountered an impressive cast of characters on her adventures, including Lydia Lunch, Joe Strummer, Billy Idol, Klaus Nomi, and Sid Vicious. Laced with humor and wide-eyed curiosity, Angela’s daily first-hand accounts take the reader on a personal journey not found in other punk histories. Additional commentary by the author provides context and further anecdotal material. The text is illustrated with the visual expressions of Angela’s enthusiasm—her drawings of punk personalities and fans, previously unseen photos and ephemera culled from her personal archive—affording a unique insight into the relationship between the music, the media, and the audience. The diaries touch on a variety of themes including identity politics, downtown NY, anglophilia, fandom, fame, and fashion. Contrasting the stark black and white of 1970s New York with the exuberant beat-up color of a decaying London and its disenchanted youth, a lost era is brought back to life through a dedicated fan’s own reportage. Creative, funny and endlessly cool, the result is an unprecedented perspective into an ever-popular moment in contemporary cultural history.
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1:27:08
Brian Nevill - Shriekback, Pigbag, Kirsty MacColl etc
Brian Nevill in conversation with David Eastaugh Since the 80's he has worked with many artists including Shriekback, Pigbag, Kirsty MacColl, Pete Molinari, Luc Van Acker, Virginia Astley, Big Joe Louis & His Blues Kings, Ronnie Dawson, Planet Rockers, Ray Sharpe, Eddie Angel, Neanderthals, Sonny George, Holly Golightly, Carl Sonny Leyland, Teddy Paige, Carlos & The Bandidos, Duffy Power, Jerimiah Marques. Sister Suzie.
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2:00:46