The Art Business

Join us in this insightful episode of the Art Business Podcast with Dr. Katie Hill, an authority in Chinese modern and contemporary art. As a Senior Lecturer & Academic Lead at Sotheby's Institute of Art London, Dr. Hill shares her fascinating journey from her early encounters with art to becoming a leading expert in her field. Dr. Hill delves into her formative experiences, including a pivotal trip to Italy and an immersive exhibition that ignited her passion for contemporary art. Discover how her deep interest in languages led her to explore Chinese art, influenced by her family history intertwined with Asia. Explore the genesis of her academic career, her ventures in curating exhibitions of Chinese art, and her role in founding the Office for Chinese Contemporary Art. Dr. Hill also sheds light on her ambitious exhibitions and her ongoing efforts to promote Chinese art globally amidst a complex socio-political landscape.   Dr Katie Hill is an established curator and educator in the field of contemporary art from China and the Chinese diaspora. She gained an MA Hons in Chinese at the University of Edinburgh in 1989 and a DPhil in Art History at the University of Sussex in 2002. She runs her own consultancy, the Office of Contemporary Chinese Art (OCCA), focusing on curatorial, arts consultancy and education. She is currently Academic Lead, Asia and Senior Lecturer at Sotheby's Institute of Art, London, where she founded and directed the MA in Modern and Contemporary Asian Art. She is a co-author of the Chinese Art Book (Phaidon, 2013) and has written extensively on contemporary art from China, contributing to journals such as China Quarterly, the Journal of Contemporary Chinese Art (JCCA), Third Text, Apollo, The Burlington Magazine and numerous artists' catalogues. Her exhibition 'Strange Wonders: Jizi and Pioneers of Ink is currently at SOAS Gallery from 9th October-14th December, 2024. Strange Wonders exhibition: https://www.soas.ac.uk/about/event/strange-wonders-jizi-and-pioneers-contemporary-ink-china Office of Contemporary Chinese Art: www.occaspace.com Review by Lucia Alonso-Lasheras in Made in Bed https://www.madeinbed.co.uk/reviews/strange-wonders-jizi-and-pioneers-of-contemporary-ink-from-china   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

Welcome to a new episode of the Art Business Podcast, hosted by David Bellingham, Programme Director at Sotheby's Institute of Art in London. Join us in a fascinating conversation with UK-based artist Clare Strand, who challenges the traditional boundaries of the photographic medium. Clare is joined by two of David's MA students who collaborated with her on an exciting project, A Butterfly & a Horse, showcasing at the V&A Museum.  Inspired by the early image transfer experiments in 1880 by Shelford Bidwell, a pioneer of modern digital technology, this monument explores how the creation, profusion, and circulation of images has a significant impact on our experience of time, memory, and identity. Discover Clare's unique approach to art, stemming from a non-traditional upbringing where art was not a household norm. She shares her journey from childhood curiosity about images to becoming an artist who engages in a dynamic interplay between analogue and digital forms. Listen to how Clare and the students transformed the idea of a monument by exploring themes of technology and memory through an interactive and thought-provoking participatory weekend at the V&A. The episode provides insights into the inspiration behind Claire's artworks and the students' collaborative efforts in curating a meaningful artistic experience.   Links: https://www.clarestrand.co.uk/  https://www.vam.ac.uk/event/RQzAwwb70l/sia-sept-2024?srsltid=AfmBOooCbvUTVJJwJhtKvKRN-nysssU2wuVltVJf9romvZTuFWtNSl2I  https://www.sothebysinstitute.com/news-and-events/events/a-butterfly-and-a-horse-by-clare-strand https://www.scienceandmediamuseum.org.uk/objects-and-stories/first-digital-photos      music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)    

Welcome to the Art Business Podcast, where we delve into the intricate world of art and commerce. I'm David Bellingham, the Programme Director of the Master's Degree in Art Business at Sotheby's Institute of Art in London. In this episode, we are joined by Marek Claaßen, co-founder of ArtFacts.net, a Berlin-based platform providing comprehensive data and analysis on the relative 'fame' of artists and galleries, including world rankings. Join us as Marek shares his journey from growing up in a middle-class family with a passion for German expressionism, to becoming a musician in Berlin, and eventually entering the art business world. He discusses the founding of ArtFacts in 2001, the challenges faced during the dot-com crash, and the platform's unique approach to factuality and cultural significance in the art world. Marek also sheds light on the evolving digital art landscape, the role of NFTs, and the importance of networking and finding a niche for those entering the art industry. Tune in for an insightful conversation on art, technology, and the future of the art market.   Links: https://artfacts.net/    music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)  

In this episode of the Art Business Podcast, host David Bellingham, Programme Director of the Master's Degree in Art Business at Sotheby's Institute of Art in London, interviews Selasie Gomado, the co-founder and creative director of Artemartis. Broadcasting from Ghana, Selasie shares his journey from a science-focused education to a passion-driven career in the arts, highlighting the influence of his entrepreneurial family background. Selasie discusses the formation and growth of Artemartis, an art agency based in Accra, Ghana, which supports emerging artists locally and internationally. He delves into the challenges and successes of establishing a collective and agency model without traditional gallery representation, sharing insights on the art scene in Ghana and the broader African art market. The conversation explores the dynamics of the African art world, the importance of networking, and the balance between commercial success and cultural recognition. Selasie offers valuable advice for aspiring artists and art entrepreneurs, emphasizing patience, humility, and the significance of financial literacy. Join us for an engaging discussion on the evolving landscape of art and business in Africa. SELASIE GOMADO: PROFILE   Selasie (Ghanaian), is involved in managing the rapidly growing art collective and agency, Artemartis, and overseeing operations and the development of artists in both Ghana and the rest of the world. He has fully executed numerous projects in multiple countries, both in the art and engineering fields.   Selasie started his career in 2017 as a Mechanical Engineer with Orsam Limited (Ghana/France), where he worked as a Project Coordinator and Engineer in the Project Management and Quality Control departments until 2021.   In 2018, he founded Artemartis and has performed multiple pivotal roles including artist management, exhibition curation and planning, together with his engineering role until he decided to resign from his work in engineering to focus on his art career in the year 2021. He has since been featured in multiple articles, including The New York Times, National Geographic, Artnet, and The Art Newspaper, and has worked with prestigious institutions including Phillips Auction House, 1-54 Art Fair, Gallery 1957, among others.   Selasie has a bachelor’s degree in Mechanical Engineering from the Kwame Nkrumah University of Science and Technology, Ghana (2017).   Since its launch in 2018, Artemartis has evolved into a well-known and respected brand. This is evident through their collaborations with artists and art galleries, museums and institutions around the world, including the recently ended 1-54 Contemporary African Art Fair (London), where Artemartis participated as one of the first collectives from the continent to ever show at the art fair, Pearl Lam Galleries (Hong Kong), Phillips Auction House (London), Mitchell-Innes & Nash (New York), Lehmann Maupin (London), Gallery 1957(Accra), Septieme Gallery (Paris) and Loft Art Gallery (Marrakech), as well as some museums including Kunsthalle Krems (Vienna) and Museo Ettore Fico (Turin). Notable collaborations include a collaboration with Phillips Auction House in London in 2022 with the exhibition “Birds Of A Feather” featuring 18 works celebrating contemporary artistic production in Ghana, “Worldmaking” at Mitchell-Innes & Nash in 2023 presenting a group show of ten emerging artists living and working in Ghana and “Material Muses,” a solo show of works by Emmanuel Kwaku Yaro, represented by Artemartis, at Loft Art Gallery in Marrakech, Morocco in 2024 and a viewing at Pearl Lam Galleries in Hong Kong, also this year.     Links: www.theartemartis.com www.instagram.com/_artemartis www.x.com/artemartis  www.theartemartis.com/subscribe     music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)