Free Thinking Through the Fourth Turning with Sasha Stone

The Democrats are just now waking up to a viral video of Hasan Piker singing We Are Charlie Kirk to a cacophony of cheers from the clapping seals in the sociopathic dehumanization factory known as the New Left.
Why do they believe they are morally superior to the working-class Trump voters? Because the legacy media props them up and never calls them out. Well, now, they have a bad case of Hasan Piker, and as long as they stand with him, they will have to excuse the idiotic things he says and does, like wearing a Mao costume and mocking the grief of the Right after Charlie’s brutal murder.
Not many Democrats will take that moral stand against Piker. They’re too afraid to look uncool, un-manly, and lose all of his millions of followers. And besides, they will say, Trump is “just as bad.”
Trump mocked the deaths of his enemies, but Charlie Kirk was not Hasan Piker’s enemy. Maybe he’s jealous of the love millions had for Charlie - real love, not the kind Hasan Piker has, his sycophants begging him to be more sadistic, not just to his dog.
These are dark and disturbed people.
We are now approaching the one-year anniversary of the brutal, bloody, premeditated, calculated murder of Charlie Kirk by a guy whose desire to become a somebody drove him to become a hero for a day. Maybe he did it for his confused and anguished lover who could not decide on his gender identity.
Maybe he did it for the pathologically insane furry community on Discord. Maybe he was whipped into a frenzy and aimed at Charlie by, oh, I don’t know, the CIA or the FBI. They’ve done worse. Israel, however, it was not.
That didn’t stop craven psychopath Candace Owens - whom Piker calls his “Queen” - from plundering the grave of her “friend” Charlie. The truth is that he kept her at a distance, needed her to help build Blexit, and then, when she got too crazy, he slowly, carefully backed away.
She blamed Erika for that. She blamed Turning Point. One thing is for sure: she is too much of a narcissist to put the blame where it really belongs, on herself.
Chicks on the Right had an illuminating interview with Andrew Kolvet of Turning Point to clarify just what kind of relationship Charlie really had with Candace and why she’s become a woman scorned.
But if Candace’s exploitation of Charlie’s death dwarfed the Left’s celebrating, Hasan Piker somehow manages to top them all.
What most people who are just waking up to the true evil that is Hasan Piker singing We Are Charlie Kirk don’t know is that just over a month after Charlie’s murder, one of Piker’s putrid streams brought him a tiny bit of internet fame for mocking the song.
Why did he think it was funny? Because he’s a dehumanizing, repulsive shitheel who uses his dog as a prop when he’s not shocking her to keep her in place.
He’s mocking MAGA for listening to and celebrating an AI-generated song that, to date, has over 6 million views.
There were lots of AI songs about Charlie. I even fell for it for a brief moment because I wanted to believe there were people on the Left kind enough, empathetic enough, and generous enough to sing about Charlie. But of course not. It was an empty void, one that AI filled.
And Hasan Piker, puny little cockroach that he is, found it “funny.” You see, he’s trying to outdo 4chan all in the name of selling Communism and Islam. Hey, it’s worth it to sell your soul to take control of America.
He kept dipping back into that bowl because that’s what you do if you are an influencer. You give the people more of what they want, and in his case, it’s sitting on his dog-torturing basement throne, while mocking the working class.
He couldn’t get enough of it. He was like an uncut bull let loose in a field of fertile cows.
On and on it went. He made his name on it. Most of this was done just over a month after the shooting, but he’s continued to use it for the lols, even two months ago.
So it was natural that when he took the stage, he would sing it live, like he was the Rolling Stones, dragging out “Jumping Jack Flash,” or Elvis Costello, singing “Pump It Up” one more time. Yes, he was mocking MAGA, people he deems lower class and beneath his sorry ass, and making fun of how deeply the murder of Charlie Kirk dug into their morale.
Most people don’t exist in the dank, slimy corners of the internet, so they might not know how long Piker has been dragging this story out. What else is he going to do? Talk about healthcare? No, everyone wants to see human suffering, and he’s more than willing to give it. He loves Candace Owens too because water seeks its own level.
But it was a serious thing. Even Megyn Kelly once talked about why it mattered that we were saying “We are Charlie Kirk.” We are people the Left wants to see unpersoned at best and dead at worst. But most of all, just to shut up, and that’s what Tyler Robinson did to Charlie Kirk. He silenced him.
The AI song was a way to make something happen that our culture would never have allowed because almost no musician would ever risk their careers like that. Remember when Jamie Lee Curtis offered him some sympathy and was raked over the coals and had to apologize? Yeah, that.
Yes, if you are a sociopath who has bought into the decade-long, systematic campaign against the working class, you would think the AI song was funny, and maybe, a year later, it is kind of. But there was nothing funny about it in November of 2025 when Hasan Piker made his name on it.
Hasan Piker fancies himself a fighter for the poor. He is anything but. He’s a pampered little rich kid who is absolutely a high-status influencer among the ruling class, just like Zohran Mamdani is.
Bernie Sanders never worked a day in his life and was even kicked off a commune for not doing enough work, and by the looks of it, AOC will follow in his footsteps with a lifetime on the people’s dime. They can’t imagine a culture that doesn’t represent them, or that would punish artists for daring to play at the Kennedy Center or to celebrate America’s 250th birthday.
Sorry, Democrats. You’re stuck with a guy who isn’t worthy of even being in the same room with Charlie Kirk, but who once was in the room with Charlie Kirk. That is how emptied out his soul really is.
So no wonder it was so easy for Hasan Piker to mock Charlie Kirk even in death. He must have felt diminished in those debates. Who wouldn’t have? Charlie was smarter, quicker on his feet, and taller. Hasan Piker shines just a little bit brighter now that the brightest light has fallen.
But he’ll never be like Charlie. He’ll never build a movement built on hope and faith. He’ll never change the world. He’ll always be on the outside, with his face pressed up against the glass, enjoying his one brief moment in the spotlight.
And now he’s your problem, Democrats. You can’t wipe off the stain even if you used bleach. Good luck with that.

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Today, after staying on Jon Ossoff’s email list for eight years, I finally hit unsubscribe. This is my Dear Jon letter, and in some ways, the moment I will really be saying goodbye to the Democratic Party once and for all.
I will admit I held on too long with Ossoff. Try as I might over the past six years since leaving the party to extricate myself from their relentless email machine, I didn’t mind when Ossoff’s emails flew into my mailbox.
In 2017, I saw in Ossoff what the Democrats needed as they tried to find their next Obama stand-in. He fit the bill perfectly. I also liked how he didn’t seem to buy into the party's increasingly crazy extremes but was comfortably moderate, at least for a time.
My record with Federal political donations tells the tale.
If anyone looks at my record, they’ll see I continued donating to ActBlue through 2025. Except that I didn’t. I just didn’t realize they were charging me all that time. That’s how relentless they are and how stupid I am.
The Glow-Up
Before the expensive makeup, strategic lighting and tight shirts, Ossoff looked like what Steve Bannon would call a “pencil-necked geek.” He was too skinny, even if he was an Obama clone. He seemed too good, too clean for dirty politics back then.
I fell for the lie that Ossoff really was a self-made man, a “filmmaker who turned to politics,” per this Wall Street Journal video.
He is hardly self-made. More like a hot house flower.
Ossoff grew up in a political household. Both parents were heavily involved in politics. At just 19, he began working on Capitol Hill for Rep. Hank Johnson while attending Georgetown’s School of Foreign Service and continued working for him until 2012.
His email list was mostly the kind of thing you’d get in the old days of the Democratic Party, the kind of thing you’d expect from the Obama clone factory.
But that isn’t really where Ossoff is now in his political career. He is determined not to go down as a squeaky-clean beta male. No, Ossoff has gotten SWOLE. He appears to have brought in a team to fix the look to be camera-ready. The makeup, the hair, the dimples. Ossoff finally looks the part. He can do alpha.
All of a sudden, he’s the guy everyone is talking about. He’s the guy who is suddenly the hottie on tap. True, he’s Jewish, and that’s a problem for the Democrats, but no one really talks about that. Instead, they’re selling the matinee idol on TikTok.
The truth is, I didn’t think about Jon Ossoff much until he went viral for channeling his inner sexist in a desperate bid to get attention and rise to the top of the pile.
And it worked. He went viral! He’s in the headlines now, and everyone knows his name.
But this version of Jon Ossoff will never be president. He’s abandoned what made him exceptional in the first place, his decency and his goodness. The sharks demanded flesh and blood, and he gave it to them, but it will come at a cost.
One of the main reasons Democrats have failed for the past ten years to gain any purchase in this country has been their obsessive fixation on Trump, which is pretty much all Ossoff is doing.
It’s a race to the bottom to see who can out-Trump Trump, to be more confrontational, more bullying, more vulgar, and tougher. They believe this will solve their “man problem,” and who knows, maybe it will. I look at Ossoff now, and I don’t see someone tough or brave. I see a coward.
Ossoff, like James Talarico and almost every Democrat, is now leaning into the party's extremes. Because of course he is. He has to. In his viral speech in Atlanta, he referenced his daughters and said they will ask him one day how he let things get so bad, and, in the same sentence, dismiss the concerns of little girls and women in sports.
Guess what, Jon: thousands of little girls will one day ask you why you let it happen, why you allowed so many of them to believe they should amputate their breasts when they could not consent. They will look to you, Jon.
You will have to tell them why you pretended biological males had no advantage in sports because you were too cowardly to stand up to your own party.
I once thought Ossoff was a good man. Now I see him as a desperate man, no different from any other Democrat, so much so that he’s given himself over to what has become an uncontrollable fetish on the Left to dehumanize Donald Trump and his supporters.
They slut-shamed Melania’s modeling photos, splashing them all over social media. They suggested Trump was having an affair with his own daughter. They took a bath in Karoline Leavitt’s Vanity Fair photos, which splashed all over TikTok and led to her being called KKKaroline.
They mocked Kellyanne Conway’s age and her face, and Sarah Huckabee Sanders’ makeup. It’s grotesque and repulsive, but it is typical and ongoing.
Even now, Rosie O’Donnell is out there on primetime television calling Trump a “serial pedophile and rapist.” It doesn’t matter if it’s true. It only matters if it happened in their imagination.
They spent whole seasons giggling about the particulars of the Stormy Daniels affair, and they were willing to forgive lusty E. Jean Carroll’s sexy talk at Anderson Cooper and envision instead a ridiculous, implausible, violent rape incident that most likely never happened.
They call Trump a rapist so they can kill him.
They call him a racist so they can kill him.
They call him a fascist so they can kill him.
They call him a pedophile so they can kill him.
They just want to kill him, and every day the hungry beast must be fed.
Before you say “But Trump says…” there’s a difference. No one on the Right, least of all Trump, pretends to be morally superior to the other half of the country as they have on the Left. There are no death fantasies. They don’t go “no contact.” They don’t destroy your career if you even so much as like a post by the other side.
The price of admission in their world is that you have to want Trump dead too. You must forsake him, and then they will welcome you with open arms. That’s who they are and what they’ve become and why I could not and will never be a part of that world anymore.
Now, Ossoff has become one of them.
The party of women knows destroying a woman like Natalie Harp isn’t a good look, because she is sympathetic. She’s a homeschooled bone cancer survivor whose father committed suicide. And Ossoff, to paraphrase Aaron Sorkin, gets on television and calls her a w***e.
And that, more than anything, defines the men of the Left, too. They can’t stand up to those crazy, crazy women. They have no real courage to stand up to the extremists either. They know they are muzzled and must do as they’re told.
Cowardly beta males like musician Bill Madden, a keyboard warrior whose fingers tingle every day when he has the chance to say the worst things he can as long as it’s aimed at women on the Right.
It kind of helps to see what he really looks like, just a fading nobody clinging to his youth.
This quote is on his Wikipedia: “… when it comes to inequality, historically, no group of people has been discriminated against more than women. Men have been f*****g up the world for thousands of years. It’s time we give more women a chance to lead.”
Oh really? I guess you have to say which women, eh Bill? Not all of them.
It’s possible the Democrats overplayed their hand and have realized the Natalie Harp story is not a win for them. You can see them now reeling it in, trying to say Trump amplified it as a distraction because it makes the Democrats look bad. Oh no, my friends, you did that all on your own.
The problem is that where there is chum in the water, there are hungry sharks. The lower the Democrats go, like Jennifer Welch and Hasan Piker, the more the candidates seeking office must feed the hungry beasts.
The Party of Crazy, Crazy Women
They might think the Great Feminization has made society better, but it has left them like a women’s prison, or stranded on a desert island with the only men in sight being the weak, flaccid, pandering, ineffectual men of the Left. And that has left the women, shall we say, a bit unhinged.
Can you blame the women stuck on that island for losing their minds when they saw Zohran Mamdani’s TikToks?
Most of what he does now seems directly related to how much women on TikTok will swoon over him. Parents’ night out? Free helmets? Doxing millionaires? Free groceries? Rent freeze!
Abdul El-Sayed is following the same sales pitch of aiming his TikTok videos at the young ladies, flexing his muscles and waving his backside at the camera in a way no white man could ever get away with, certainly not while positioning themselves as a sexy “Daddy” figure.
They don’t just want sexy back; they also want to be the party of fun and are working on a TikTok rebrand.
The problem is that the base of the Democratic Party, mostly white women, are nuttier than a five-pound fruitcake. We found out just how nutty this past week as a movement began to form in support of child murderer Lindsay Clancy.
There they were again, those crazy, crazy women showcasing their pathology on TikTok. They weren’t shaving their heads this time or wearing blue bracelets. They were elevating Lindsay Clancy as the victim, even after she confessed to strangling the life out of her three kids.
These are the kinds of lunatics whose votes Jon Ossoff needs. And that is why he has finally given them exactly what they want.
The irony of all of this is Natalie Harp was hurled into the arena for unending mockery, slut-shaming, and fantasies. Doesn’t she count as a woman, too? Isn’t she worthy of support?
A Feeding Frenzy
The media was all too ready to devour the bloody chum Ossoff threw into the water. It’s just that, as with everything they do, it’s not real. It’s fake news.
There is no bottom when it comes to how they report on Donald Trump and especially the women who surround him.
But some of the lows have been extraordinary, like dragging out Harp’s wayward, socialist hippie brother to exploit the tragedy of their falling out after the death of their father. It doesn’t get much darker than that. Or more desperate.
Here is Larry O’Connor on Townhall:
O’Connor again with Mark Halperin and Kevin Walling on Next Up:
Scott Jennings had no trouble setting the record straight.
Ossoff’s sleazy attack on Harp reveals his biggest weakness. He wants it too bad, and he sold himself out. And maybe that makes him ready to be the democratic nominee.
Want those big donations? Trash women, trash working-class voters, dehumanize your fellow Americans. Sell women and girls down the river. Pander to the extremists. Smear the character of a young woman like Natalie Harp just to go viral, just to please the unhinged women on the Left who don’t even know what a woman is.
For his part, Trump flicked Ossoff away like a speck of dust on his suit, calling him Pee Wee Herman. And if we know one thing about Donald Trump, once you get hit with a nickname, it sticks.

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When Alexandria Ocasio-Cortez laughed off Woke 1.0, she attempted to distance herself from a movement she not only helped build but also led. Because the DSA is ascendant, they’re hoping to pivot to kitchen table issues just long enough to trick otherwise sane people into voting for them.
Hasan Piker started wearing suits. Abdul El-Sayed is attempting to draw in Trump supporters by showcasing his white grandparents.
And out in Texas, James Talarico is making ads with his Paw Paw.
They’re just regular folks, like you and me. Well, except that they want to tear America down to the studs and rebuild it as a woked-up socialist paradise. But shsh. Nothing to see here, move along, move along.
Woke 1.0 wasn’t just some silly thing that happened to them one time. It is a deeply held belief system that has been passed on through the generations and mandates conformity across all institutions and culture. It is not an ideology so much as the biggest cult in American history.
As we’ve watched their power weaken after Trump’s second win, we see them now more clearly than ever trying to cling to it. Calling white people racist gets louder.
Ordering women to obey the rules of language, like the refusal to use the word “cis” or whether or not dating bisexual men, makes you homophobic.
Cults must always control the women, separate them from their children. True for Charles Manson, Jim Jones, or Scientology. It’s so bad on the Left now that the only right women fight for now is the right to kill their own babies.
From White Fragility to protecting women in sports or locker rooms, not to mention children, the once and former feminists are MIA. Many of them are so desperate to be led and dominated by men that they are becoming Muslim reverts:
Back in the 1970s, women were also vulnerable and impressionable because the Counter Culture revolution was all about leaving traditional values, like family and religion, behind to “find yourself.” Women were suddenly free, yet all they seemed to want was to find someone to follow.
All of those white college girls of privilege were either sucked into cults, moving into vans, or shooting up banks.
Meanwhile, the black community was vulnerable, too, and that is how cult leaders like Jim Jones took advantage of them. He was selling things not that different from today’s Left.
The Origins of Woke 1.0
I’ll never forget May 25th of 2016. I decided to splurge for my daughter’s 18th birthday by taking her to see Hamilton on Broadway, with nearly the entire original cast. The tickets, flight, and hotel were too expensive, but we’d never get this moment back, so why not?
It was the same year my daughter would visit the NYU campus, have her prom, and I would be doing everything I could to elect Hillary Clinton as the first female President of the United States, with the doomed hashtag #imwithher.
I was part of a generation of parents who wanted to not just be better but to perfect ourselves, our children, and our world.
I can’t pinpoint exactly when we transformed from anti-establishment Gen-Xers to helicopter parents. But I know it had to do with the therapy culture of the 1990s, capped off by Columbine in 1999, 9/11, and the two wars in Iraq and Afghanistan that followed. Something was wrong, not just with all of us, but with our country too.
The person elected to heal us from all of this collective, multi-generational trauma was Barack Obama, who became our spiritual leader and our male role model.
2012 was the moment Obama and the millennial do-gooder establishment that surrounded him sought to make our country better through indoctrination in public schools and universities.
Hillary Clinton was chosen as the torchbearer, but she lacked Obama’s charisma and had nothing to sell the public that they wanted except one thing: identity politics. It wasn’t enough.
Our cult over-reacted to Trump’s win, as though it was the FBI showing up outside the Koresh compound. It was Doomsday and that dark cloud would cover everything we controlled, from Hollywood to the legacy media to book publishing to fashion to influencer culture. We drew a line, and if you wanted in, you could not cross it. If you wanted out, all you had to do was question authority.
But it was what we weren’t watching that would be our biggest problem later. We weren’t watching the kids.
Teenage Wasteland
What happened to the nation’s young people, having been indoctrinated in the oppressor/oppressed mindset, where they saw racism, homophobia, transphobia, and Islamophobia everywhere they looked, even before Trump won, kicked into motion an apocalyptic fantasy that would justify everything they did, from protests to violence to assassinations.
The internet was their fantasy world, which gave many of them absolute power. This was true whether it was social justice warriors who ultimately led the transgender contagion among young girls, or the boys who gravitated to 4-chan and would eventually lead to the rise of the mass shooter influencer, like Tyler Robinson, Matthew David Crooks, or Luigi Mangione.
The first real sign of trouble happened nine years ago at Evergreen College. When I first saw this story, I was already pulling away from the cult, but even then, I was afraid to put it on social media because I knew it would be seen as “racist.” And yet, by burying this story, the Left set itself up for much worse down the road.
Violence showed up as early as 2015 during Woke 1.0, when Trump supporters were often beaten, kicked, and spat on. The protests at Trump’s inauguration seemed to be a natural extension of the mass hysteria that consumed the Left in 2016. It would only get worse.
The violence we’re seeing on the Left only escalated, culminating in a full-blown revolution on the streets in 2020, a mob demanding diners raise their fist for Black Lives Matter, and authoritarianism rising from a generation raised to believe they have the right to tear down what they didn’t build and make the whole country pay because of it.
That put power briefly back in the hands of Joe Biden, who pandered to the mob. They believed the false narratives around January 6th, decided MAGA was the cult, and walked away from this story. They barely even talk about it now.
The entire Democratic Party became the administrators at Evergreen, too crippled by white guilt to provide the necessary leadership and discipline these kids needed before they graduated and joined the workforce.
But even still, the most dangerous legacy Woke 1.0 leaves behind isn’t what it’s done to kids or to culture, to our sense of history or to our unity as a country. No, in dividing us into the oppressed and the oppressor, it opened the door to America’s enemies to exploit the sitting ducks on the Left and name Islam as the most oppressed and thus hand it the most power.
Then the enemy walked through the door we left open.
Woke 2.0
My daughter was three when the planes hit the towers. I remember waking up to the news. Imagine the days before we all had cell phones, or even social media. I had to call my friend and tell her to turn on the news. This was the first time America had been attacked on this level since Pearl Harbor.
But terrorism accomplished very little for Islam. It turned the US and the world against them. They were feared and even hated. Our country would transform into a surveillance state, and there’s an argument to be made that everything we’re living through now is not because of COVID but because of 9/11.
Changing hearts and minds would be the way the Islamic world would rise from the ashes. Before long, there was a new word that controlled our thought and speech: Islamophobia.
I didn’t realize how deep it all went until 2017, the same year as Evergreen. Wonder Woman had come out. My daughter really loved it, but she was afraid to say so online. Why? Because Gal Gadot was an Israeli who trained with the IDF.
I was as shocked by this development as I was when she told me her friend was becoming a “he” and wanted “top surgery.” What on earth were they teaching our kids? Idiot liberals like me had no idea. And by the time many of us figured it out, it was too late.
Palestine joined the wheel of oppression and took its place in the hierarchy long before October 7th. Hamas attacked Israel, and Putin invaded Ukraine with Joe Biden in power. They clearly saw him as a weak and addled president who would not be able to manage these wars, so what better time to test the hearts and minds campaigns and the way our enemies had begun to destroy us from within.
October 7th wasn’t a random attack. It was an act of such extreme violence that Israel would have no choice but to go to war, and in so doing, a worldwide campaign to defend the oppressed in Palestine could turn the entire world against Israel.
But it wasn’t until the rise of Zohran Mamdani, Hasan Piker, and now Abdul El-Sayed and the entire DSA that we could see how fruitful the decades-long hearts-and-minds campaign really was.
The Holocaust, to these young people, barely matters. They have no idea what Stalin did, what Mao did, or even really what Hitler did. And they know better than to criticize Islam because that would make them a racist. There was only one place left to go.
Just like the leap from World War I to World War II, so too would the jump from Woke 1.0 to Woke 2.0 land on the eternal scapegoat: the Jews.
It’s like shooting fish in a barrel. Islam and Socialism. Islam and Black Lives Matter. Islam and Medicare for all. These two movements have so much in common, from controlling thought and speech to controlling women and children. But really, it’s all about their shared enemies, Israel and the US.
Woke 2.0 isn’t just the Left, however. It’s also a large portion of the Right who have named Israel as the ultimate evil as well, so much so that they are following Candace Owens and Tucker Carlson down the rabbit hole to deflate any offense against the rising radicalism — terrorism - on the Left.
Both Nick Fuentes and Hasan Piker have chimed in to declare Candace is helping to defeat the Right and absolve the Left. They can’t believe their luck. What unites all of them is their conclusion that Israel and the Jews are the problem.
China, Russia, Iran, and North Korea know us better than we know ourselves. Who needs bombs when you have white fragility? Who needs censorship when you have cancel culture?
But Islam that wants more. They seek to overtake and convert the United States the way we once feared the Communists might. With the oppressor/oppressed ideology and the rise of Islamo-Marxism, there is no stopping them now.
A TikTok user quoting Sharifa Alkhateeb and an Iranian.
They just needed the right script, and they found it with helpless resistance libs who have run out of options and Gen-Z, raised on convenience culture who are lured in by the promise of free stuff. Who needs suicide vests and box cutters when you have TikTok?
We would start two failed wars after 9/11 called the “War on Terror.” People like me were convinced we were wrong. Now, just as with Joseph McCarthy and the Red Scare, considering how it all turned out, I have to wonder.



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I was caught between worlds in 2020. I began the year as a faithful, loyal Democrat and a true believer in Fauci the Hero vs. Trump the Villain. I was never an anti-masker or anti-vaxxer, at least, not in the beginning. As the year wore on, however, the questions started piling up in my head.
Why, I wondered, was it politics as usual if this pandemic was as serious as CNN said it was?
Why, if the virus was microscopic, did masks suddenly become not only essential but mandatory identifiers in our society?
Why, if it was so serious, did millions flood the street on Memorial Day Weekend to protest the death of George Floyd at the hands of the police, and 1,000 health experts signed a letter saying protesting was more important than a pandemic that was supposedly hitting the black community especially hard?
Every time I’d ask a question, the unified whole would scream back at me, parroting the exact same talking points from the legacy media and the Democrats. No one was allowed to even ask a question, much less question the official party line.
Why? The cult of Dr. Fauci. We hadn’t seen a hero rise like that since Barack Obama in 2008. We believed in him. We trusted him. We loved him. To question him became blasphemy, and even now, if you say his name among liberals, they will scowl at you.
The cult of Fauci and the legacy media became one in 2020. They made him a star and, in turn, he went along with the official narrative that Trump was not competent in a crisis and helped the media convince the public to vote him out.
But the truth was always chasing Dr. Fauci like a shadow, and the questions were not going away. Lucky for all of us, he kept a record of what he thought and did in 2020, and it is one history will never forget and should never forget.
Dr. Fauci showed the half of America that voted for Donald Trump what he thought of them when he declined to answer any questions in Congress and instead pleaded the Fifth 111 times.
Americans required something other than politics as usual when the pandemic arrived on our shores, but taking out a president was already the establishment's primary objective, and Dr. Fauci would prove instrumental in convincing Americans that Trump could not be trusted in a crisis.
As Ann Coulter says on her Substack:
Fauci was the left’s most promising silver bullet to take out Trump. As such, the media would brook no dissent from his COVID edicts. Liberals would not only destroy the economy, but countless lives, in order to slay a pestilence worse than the virus: Donald J. Trump.
Taking down a president
It might sound conspiratorial to say that the Democrats and their allies in the administrative state would crash the economy just to take Trump out of power, but the truth is even darker. Everything had to go wrong under Trump, including the economy.
The more Fauci contradicted Trump, the more the legacy media celebrated him, elevated him, and the more the Cult of Fauci rallied around him. That led to more attacks by Trump.
It’s not a coincidence that cases began to surge as their own kind of October surprise, allowing the Democrats to increase measures ahead of the 2020 election. All the while, what Fauci seemed to care about most was the attention paid to him by high-profile celebrities.
I was one of those people who trusted CNN and watched as they scared us, night after night, with the death count from COVID ticking upward, with no mention of who was getting hit the hardest. It just looked like everyone, everywhere was getting sick and dying.
What sweet relief to hear RFK, Jr. confront Dana Bash on CNN about their willingness to pump fear into the veins of the unsuspecting public:
And yet, as we found out by the Cup Foods surveillance recording, in areas the Democrats supposedly governed, like Minneapolis, the day George Floyd died, no one in that store, including him, who was still recovering from COVID, was wearing a mask. When I saw that, I realized just how small our bubble really was.
Dr. Fauci knew he was a media-made star. He marvels at it throughout his diary, shaking his head at the attention paid to him but hanging on every word. But he had no immunity to this level of adulation and celebrity. This was a lot for a guy almost no one knew until he became a household name.
Fauci and the Bobbleheads
Fauci’s diaries throughout 2020 paint a picture of a seduction. Fauci the Hero was drawn in by those who projected their distrust and hatred of Trump onto him. The more he played that role, the higher his profile would rise.
Of course, Hollywood would cast him that way. That’s what they do. But it wasn’t just Hollywood. It was all the most high-profile figures on CNN, ABC News, MSNBC, NPR, PBS and SNL.
Fauci kept a healthy remove in the beginning. This wasn’t his first rodeo, but he is only human after all. Trump was trying to open the country back up even in late March, instinctively knowing that in an election year, crashing the economy would be the end for him.
And then, the press began to tie him to Trump:
July 13, 2020:
Fauci lapped up the praise with a mixture of astonishment and bemusement. Praise and adoration from Funny Girl and Pretty Woman would have gone to anyone’s head.
Or the painting and growing friendship with folk singer Joan Baez:
A note to actor and chef Stanley Tucci promising to send cookbooks in January of 2021:
Zoom calls with the best and the brightest in April of 2020:
The press detailing just how beloved he was becoming in April of 2020:
And of course, the bobbleheads:
And somehow, Dr. Fauci even became a sex symbol.
When you feel the warm embrace of the cultural elite, and you breathe that rarified air for the first time, it can be intoxicating. I’ve experienced a bit of it myself, but one thing you should never do is believe you are one of them, and by the end, that is what happened to Dr. Fauci.
He was vulnerable because he was uncool.
And of course, being routinely attacked by Trump the Villain, who was desperately trying to win re-election and could see very well what the media was doing by elevating Fauci the hero, only made Fauci more inclined to side with the side that would write his legacy.
Fauci became the most important weapon against Donald Trump, as he redirected better solutions to help save kids from lockdowns, bring the economy back, and allow some common sense with masks and social distancing. Trump had to fail, and that's why Fauci became a superstar.
Mass Formation Psychosis
By the time Biden took power, the entire Left was locked into “Mass Formation Psychosis,” per Mattias Desmet by way of Dr. Robert W. Malone:
Fauci was trotted out to validate all of the bad policy pushed out by the Biden administration once they took power. Through it all, he maintained his tight connection to Joan Baez and Barbra Streisand, having dinner with them, advising them privately. Many were singing songs about him.
Love for Fauci, trust in his word, became interchangeable with taking the vaccine. Fauci was the vaccine just as he was the science. No one would dare doubt him or question his advice. He was the leader of a cult by now and drunk on that power.
But in casting his lot with the Trump “resistance,” he abandoned the other half of the country as most of our ruling elite did. But they are Americans and Fauci worked for them too. He betrayed their trust again and again and could not even be bothered to show them the respect of answering their questions.
The truth would eventually come out. Dr. Jay Bhattacharya was brought back on X after having been shadow-banned for “disinformation” and is now the head of the CDC.
We would finally find out that toddlers didn’t need to be masked and most children did not need to be kept out of school, and Trump’s efforts to open them back up that he was attacked for again and again were the right call.
Why had we done that to them? How had we all gone along with it? This got much worse under Biden. It was as though the campaign to dump Trump turned into the new normal and everyone had to stand by the story.
Here is Jeremy Boreing:
The Fauci myth also propped up the legacy media so much so that even now, they have to link arms with the Democrats to defend him.
For many Americans, the legacy media propped up the official story the Democrats needed to be true to take out a one-term president with a strong economy. But they built a high wall of protection that meant even when we finally knew the truth - that the vaccine did not stop the spread and masks offered minimal support - the legacy media would not tell the public the truth.
My nephew flew in from Thailand to finally see all of us after a year of separation. He’d already contracted and survived COVID, so he was immune, but because he was not vaccinated, members of my family forbade him from visiting.
I kept screaming, “He already got COVID! He doesn’t need the vaccine!” But no. If Fauci didn’t say it, if ABC, NBC, CBS, CNN, the New York Times didn’t say it, they would not listen. You had to be vaccinated to enter restaurants, theaters, even family gatherings.
Dr. Fauci knew the truth. He knew the vaccine was from a lab leak. He knew it might cause harm to some. He knew it was untested. He continued to push a one-size-fits-all solution, and anyone who didn’t go along with it was treated like an enemy of the state. But for him, his legacy was already written, and nothing was going to take it from him.
I lost three loved ones during COVID. One overdosed during lockdowns from loneliness. Another dropped dead suddenly of a heart attack in his early 50s. My uncle did not take the vaccine and died from COVID.
It was never a one-size-fits-all solution to force everyone to inject an experimental drug, even if it saved the lives of many. It probably saved my life. But it should have been a choice, not a public pressure campaign that demanded all go along with it or they would be demonized as “anti-vaxxers.”
People should have been told the truth about what it was and what it wasn’t. That was Dr. Fauci’s job, but at some point, he realized he had to push the party line because that is what got him into the club, over that high castle wall and in the presence of greatness.
The two mirror events that depict the Two Americas could not be more stark, as now Dr. Fauci has been held in Contempt of Congress. Steve Bannon and Peter Navarro were not just held in contempt but thrown in jail over January 6th, the first time in over 50 years anyone was put in jail for the offense.
It’s unlikely Dr. Fauci will go to jail. Instead, he will go down in history as a hero because the more powerful side still writes that history, at least for now.
Fauci might have been a real hero if he’d faced the committee and the people and simply answered the questions, no matter how difficult. That is what you do when you have nothing to hide.


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Hollywood is not trying to stop a monopoly by blocking the Paramount Skydance merger with Warner Bros. It’s trying to protect one.
If a monopoly means near-complete control over what gets made, promoted, and rewarded, then much of Hollywood and the cultural institutions around it operate under the ideological consensus of the Left and the Democratic Party.
Why do the Obamas have a long-running production deal at Netflix? Why do the Emmys consistently elevate late-night hosts whose politics align with that consensus? Jimmy Kimmel, John Oliver, Stephen Colbert, Jon Stewart?
Do you think they’d ever nominate Greg Gutfeld, whose show often tops them all in ratings? If that isn’t an ideological monopoly, I don’t know what is.
Why did major awards shows stay silent on Charlie Kirk? Why did so many artists cancel Kennedy Center appearances after its Trump-era changes, and why did multiple acts drop out of America 250 events?
David Ellison and Paramount Skydance are attempting something brave and unprecedented: an outside challenge to that consensus. Their roughly $110 billion bid for Warner Bros. Discovery would give them control of a major studio, HBO/Max, CNN, and a large portfolio of cable and streaming assets.
While there has been some resistance to the biggest mergers in recent history, we’ve never seen anything like #blockthemerger. Meet the new resistance, same as the old resistance.
12 state attorneys general, including California, have sued to block the deal. The Writers Guild of America has filed its own antitrust lawsuit. SAG-AFTRA has publicly opposed the merger, though it has not joined the litigation.
Opposition also includes the Future Film Coalition (which leads the #BlockTheMerger campaign), Democracy Defenders Fund, Committee for the First Amendment, Free Press, the International Documentary Association, and the American Economic Liberties Project, among others.
More than 5,600 industry figures have signed an open letter against the deal, including Mark Ruffalo, Jane Fonda, Javier Bardem, Elliot Page, Emma Thompson, Ben Stiller, and Cynthia Nixon.
Paramount Skydance has, for now, delayed closing. Can they hold the line under this unprecedented pressure campaign? Hope springs eternal.
But you won’t read about that point of view in any of the trades. They’re a monopoly, too. Most of them are owned by the same entity, Penske Eldridge. Just today, it was announced that the Hollywood Foreign Press, the former owners of the Golden Globes, are suing Jay Penske for $150 million. They are claiming Penske orchestrated their downfall so he could buy the Golden Globes.

Jay Penske already owns Deadline, The Hollywood Reporter, Variety, Indiewire, Gold Derby predicting site, Rolling Stone, a virtual monopoly on the awards race from soup to nuts. Gold Derby shapes the nominees, the trades take ads from the studios and the Golden Globes hand out the awards.
But wouldn’t you know, when Rebecca Keegan wrote a hit piece on me, she did so in the Hollywood Reporter, owned by Penske Eldridge. I was a vocal and prominent critic of Penske’s growing monopolistic power on the awards race and one of the few willing to speak out.
With one hit piece, the Penske company took out both a competitor for ad money and a pesky nuisance for the brand. That is what you call a monopoly.
A Climate of Fear and A Culture of Silence
I found out firsthand how monopolies work in Hollywood when I was canceled in 2024. The day a Hollywood Reporter story labeled me a “MAGA darling,” one studio pulled its ads from my site that day. The last thing they wanted was to be associated with an accused and condemned witch.
It was shocking how many of them fell in line in robotic fashion, gripped with fear. The response was swift and uniform. Every writer on my site left to protect their reputations. Friends of fifteen years ended the friendship. My Oscars ticket was revoked. Jane Fonda’s Women’s Media Center fired me from their annual Oscars report. Screening and party invitations dried up. I was benched on Gold Derby.
Worst of all, the lucrative studio ad buys for the Oscars and Emmys vanished. As it all collapsed, I remembered in 2012, an advertising strategist telling me I could be making far more money if I sold the site better. “You have no baggage to speak of,” she’d said.
That was true then. I was one of the few independent Oscar sites left, and still am, known around town for being honest to a fault. I stayed independent even as the ad money made life more comfortable for me and my daughter than it had ever been.
There was never any question why my career ended in Hollywood: I had been outed as a Trump voter. I was on the wrong side of Hollywood’s progressive orthodoxy, and that meant I was finished.
How it started…
I started Oscarwatch.com as a single mom with a one-year-old baby living in a studio guest house in Van Nuys, California, in 1999. I was an early web pioneer with a 1200-baud modem and a really good idea.
I was already catching the attention of publicists and rocking the boat, as all of us amateurs did back then. We were moving fast and breaking things. Traditional media was not ready. The studios weren’t either. They were used to having a monopoly on Oscar FYC ads in Variety and the Hollywood Reporter, their bread and butter. Until the blogs came along.
By 2006, I was starting to make money because my little site had birthed a big bang of other Oscar sites, and by then even the New York Times had an Oscar blogger, the late great David Carr, who called himself the Carpetbagger.
David Carr became a mentor of sorts and encouraged me to sell ads for myself, rather than piggyback off bigger sites. I was working three jobs by then: as a horoscope writer under a pseudonym (Laura Wilde), a janitor working my dad’s routes because he was a good guy and knew I needed the money, and a freelance film critic.
Right around then, the Academy of Motion Picture Arts and Sciences sued me for trademark infringement, and my site was renamed AwardsDaily.com. Now I was cleared to start making real money.
David Carr was horrified that I was working as a janitor while the trades were raking in millions on Oscar ads and encouraged me to start sending out RFPs. But I didn’t have to, because before long the studios were sending them to me.
My site became so influential that I never really had to pitch to them. They all wanted real estate on my site. Who could ever have imagined that? Certainly not me, someone who got online in 1994 back when no one thought you could make money on the internet.
One of the first studios that bought ads was Fox Searchlight, an awards subsidiary of Fox. I called it Big Fox and Little Fox, and both advertised on my site. When I got my first $15,000 just to run ads, I was stunned. That was more money than I had ever seen on a check. I was just kind of faking it, pretending I knew what I was doing, but I really didn’t.
Of course, it was also about promoting films the studio wanted to place in the Oscar race, and that’s still what it’s about. It’s not exactly pay-to-play, but most of the bloggers making money in the Oscar game are grateful and help keep the advertisers’ movies prominent. I did too.
I barely noticed in 2019 when Disney bought Fox for $71 billion. The Writers Guild objected to the merger, just as they have to the Paramount Skydance merger with Warner Bros., but there was nowhere near the same amount of public outcry.
Trump praised the Disney/Fox merger after having attempted to stop the 2018 merger of AT&T and Time Warner, leading to a trial, but the judge ruled against the Trump administration, and the deal went through. Again, no major public outcry.
At some point after 2020, I’d noticed that Disney had stopped advertising on my site. I wrote it off as their shying away from my comments on “gender affirming care” for kids. I’ll never know exactly why, but all I do know is that once the merger went through, Fox and Fox Searchlight also stopped advertising.
The Paramount/Skydance merger with Warner Bros. is significantly higher and covers more territory than any of the major corporate mergers we’ve seen as Hollywood reshuffles the deck amid the shift to streaming.
Warner Bros. was selling. The only question was whether Netflix or Paramount Skydance would buy it. Both deals would have had the blessing of the Trump administration.
But because it’s David Ellison and the team that bought CBS, and because Trump is an ally, the Democrats and the Left have turned #BlockTheMerger into another No Kings protest or battle for the “resistance.”
After the story about me broke in the Hollywood Reporter, Netflix also stopped advertising. No other studio except Focus Features, an adjunct of Universal, had the courage to run ads on my site. I was now officially blacklisted. Emails to the various studio reps went unanswered.
This past year, Paramount bought a modest ad package on my site for the Emmys to celebrate the success of Landman and The Madison. I felt lucky to get it, and it was a sign, at least to me, that Paramount, like Focus Features, was brave enough to take a chance on someone deemed too toxic by the industry.
Landman, Taylor Sheridan’s Billy Bob Thornton drama, had become one of Paramount+’s biggest hits: its first season averaged 15.8 million viewers in Nielsen’s cross-platform ratings and ranked among the top 10 series of the 2024-25 season.
Season 2 opened to a Paramount+ record 9.2 million views in its first few days and continued to dominate the streaming charts, at one point leading all multiplatform viewing with more than 14 million.
The Madison, starring Michelle Pfeiffer, launched as Sheridan’s biggest series debut yet, drawing 8 million views in its first 10 days.
But unfortunately, #blockthemerger had bled into the awards ecosystem, which remains a closed loop.
Sure enough, when the Emmy nominations arrived, the Paramount shows were completely blanked—even Billy Bob Thornton in Landman and Michelle Pfeiffer in The Madison. Kathy Bates was similarly overlooked for Matlock.
If Gold Derby shapes the Emmy nominations, and they do, they have to similarly play ball by blacklisting all Paramount Plus’s most popular shows, proving to American audiences that the industry does not care about what they want or what they watch.
Sheridan has transformed much of the television landscape, thanks to Paramount Plus. If Paramount buys Warner Bros., they won’t be creating a monopoly but breaking one up.
The Death Rattle
I know I should walk away from this industry and give up the site that took me 26 years to build. But I just can’t do that. I can’t let them win.
Now that I’ve walked in the shoes of the other half of the country, I can clearly see why Hollywood’s empire is collapsing. If ratings and box office don’t matter, neither do audiences.
None of this is about artistic freedom or making better movies or television shows. This is the Left flexing its muscle in an attempt to keep all of Hollywood to itself, to push its ideology on the people, to convert them, to indoctrinate them, to “correct them,” everything but entertaining them.
Most of all, though, it is about one man: Donald Trump and their failure to stop him, destroy him, kill him, or exile him and his supporters. This is one of the most exciting times to be living through in American history, but you’d never know it by the movies and TV shows Hollywood pumps out.
Their monoculture, their one-sided point of view, has choked the life out of Hollywood. If they could make fun of themselves, if they could humanize their fellow Americans, they might be able to tell stories that resonate with everyone. Maybe, just maybe, they would breathe new life into a decaying organism.
But they can’t risk it. Like the Democrats who don’t trust the people with elections, Hollywood doesn’t trust them with the culture.
Elon Musk spent $44 billion to take Twitter out of the hands of its previous gatekeepers. Ellison is now trying to pry open a crack in the thick shell of Hollywood’s product and return more of it to market forces and all of those people Hollywood left behind.

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