Writing Excuses

We’ve loved doing our close reading series throughout 2024, and The Fifth Season has been no different. Today, we’re reflecting on what we learned in our episodes focusing on N.K. Jemisin’s incredible work. We reflect on POV as structure, parallelism, and finding the beating heart of your manuscript.  Thing of the Week: I Saw the TV Glow Homework: Reverse engineer an outline for your work in progress. Then, try to add one parallel.Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSupport this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today we’re zooming out to see where N.K. Jemisin’s The Fifth Season fits into the canon of fantasy literature. How does Jemisin interact with magic, words, and the expectations of the genre? And what expectations do the readers bring themselves? How does Jemisin repurpose parts of the hero’s journey while creating something fundamentally different? Does this work start a new lineage for epic fantasy? We think so! We talk about what other works this book is in conversation with, and what it even means to be in conversation with something. Thing of the Week: Family Reservations by Liza Palmer Homework: Make a list of the books that you consider the antecedents to the book that you’re working on now. What other works are your book in conversation with? Are you following in and building upon their foundation, or are you disrupting and disputing their legacy?Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookTwitterSupport this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The structure of The Fifth Season features both mirroring and inversion. How do these structural shifts interact with the three POVs? On today’s episode, we talk about the parallelism of the perspectives and the linguistic references to seasons. This leads us to the question, how many things need to work in sync in order for readers to feel the cyclical nature of the plot (and life)? How does N.K. Jemisin use structural arcs, beats, and elements to create upheaval? And finally, how can you create overlapping emotional states and narrative rhyming in your own writing? (And what is narrative rhyming you may ask? Don’t worry, we define it for you!) Thing of the Week: Who Lost, I Found by Eden RoyceHomework: Take a look at one of your main character's arcs, and then try to rework another character's arc to match similar beats and structure to the first one.Support this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Structure and POV (point of view) are often intertwined. In N.K. Jemisin’s The Fifth Season, we see this in the myriad perspective shifts. In this episode, we talk about the importance of these shifts on the structure of the book. How does the narrator talk directly to us, and what purpose does this second-person perspective serve? DongWon shares one of their theories with us on the relationship between author, reader, and POV. P.S. Do you want a signed special edition copy of The Broken Earth Trilogy by N.K. Jemisin? Preorder The Orbit Gold Edition set before November 19th to get 20% off! Visit orbitgoldeditions.com to order. Thing of the Week: Kurzgesagt – In a NutshellHomework: Think about the main character of your story, and carve their life up into three different pieces. Have one of those pieces/ perspectives write to another piece, using second perspective. Sign up for our newsletter: https://writingexcuses.comCredits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramYouTubeFacebookSupport this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy